Potence Pivotante by Charlotte Perriand for Nemo
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Aguilera and Matthew Rutler on October 28, 2012 in Los Angeles,
California.Credit: Brian Lindensmith/Splash News
In past years, the 31-year-old singer hasnfl jerseys wholesale dressed up as a sexy nurse, a corpse bride, Marie
Antoinette, a skeleton and a pirate. But when Aguilera hosted a spooky party at
her home in Beverly Hills Oct. 27, the Voice mentor's sexy, skin-baring costume was more
ambiguous.
Wearing a white crown and rocking giant pink curls,
Aguilera showed off her supple cleavage in a tight black ensemble. She
completed her look with pearls, fishnet stockings and knee-high black boots.
The "Your Body" singer's boyfriend, Matthew
Rutler, suited up as her
knight in shining armor.
Aguilera is currently gearing upwholesale nfl jerseys for the release of her seventh studio album, Lotus, in stores
Nov. 9. "I can't wait for my fans to hear this album," Aguilera tells There are a few tracks
that I know people are going to really connect to. . . Many of my past albums
hadhttp://www.2012wholesalejerseysfoyou.com clear cut themes and styles, but with this
album, I really just put songs on the record that felt good."
Tell Us: Do you like Christina Aguilera's Halloween costume?
It will surprise no one who's been paying any attention that Nicole Kidman is the MVP, once again throwing herself into a controversial role with the hunger usually acquainted with actors who've waited for the big break forever. You could argue that Kidman is the cinematic equivalent of Madonna: brave, button-pushing, autoerotic, and continually willing to push herself long past the point where her peers have begun to coast or decided they're too old for this shit. Her first sex scene with Mr Cusack, both telepathic and obscene (no really), has instantly cornered the market on Craziest Sex Scene of 2012.
By now you've undoubtedly heard that The Paperboy features a scene in which Nicole Kidman pees on Zac Efron and a scene in which she cajoles him into dancing in the rain in his tighty whities. You've heard true. The best thing I can possibly say for this vivid messy Southern Gothic, which is always watchable but often quite unpleasant and artistically erratic, is that that those two scenes are hardly alone in their "am I really seeing this?" abandon. The Paperboy is so ripe and so rank that it's sure to be a polarizing love it or hate it film experience. Either response is fully justified but fans of outre cinema, highwire acting, and future cult cinema would be crazy to miss it.

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